Between Experience and Exposition

Critics depend upon structured arguments to make their points. A novelist primarily structures not arguments for the reader but experiences. Unlike our more random encounters with the actual world, the experiences we find in a novel are entirely verbal in origin, and they are shaped by their creator specifically with us, the readers, in mind. As we progress through a novel, we live in its world with an intense, imaginative participation very rarely, if ever, generated in us by any kind of purely expository writing. Thus somewhere--exactly where, no artist and no critic has ever discovered--between the immediacy of a lived, concrete encounter, and the limited intellectual engagement created by expository prose, exists the mysterious participatory experience offered by imaginative literature.

The Religious Dimension of Jane Austen's Novels, Gene Koppel, 122.