What's the Story?
From an interview with Barbara Nicolosi in Salvo magazine:
A story "haunts you because of its paradoxes. How do you haunt an audience? How do you create paradox? What is the nature of paradox? These are the stories that Christian storytellers should be asking themselves. Unfortunately, most Christian filmmakers are just trying to figure out what will sell; they're trying to find the next Facing the Giants. But Facing the Giants is supremely unparadoxical. It's just porn for Christians. It's easy; it makes you feel really good; and it's a fantasy lie. What is that except porn?
This made me think of another movie popular with Christians, Chariots of Fire. But Chariots of Fire is not just a feel-good movie about someone who "stood up for what he believed in." The story of Harold Abrahams is almost totally ignored. What gets overlooked is that Abrahams and Eric Liddel are in the same struggle. Abrahams, as a Jew albeit nominally so, did not have any problem running on Sunday because Saturday was his sabbath. (It took me years to figure this out!) We see that he is discontent, and we blame him for it. But his discontent lies in that, as a Jew, he is treated with prejudice within the "halls and corridors" of a Christian society. It is that same Christian society that gives Liddel a hard time for wanting to bow out of a race on Sunday. The cracks in the society are already apparent. That is the paradox, and I believe it largely goes unnoticed because Liddel is a cool guy who wanted to become a missionary and run for God's glory, and we really like the music as the guys run on the beach.
A story "haunts you because of its paradoxes. How do you haunt an audience? How do you create paradox? What is the nature of paradox? These are the stories that Christian storytellers should be asking themselves. Unfortunately, most Christian filmmakers are just trying to figure out what will sell; they're trying to find the next Facing the Giants. But Facing the Giants is supremely unparadoxical. It's just porn for Christians. It's easy; it makes you feel really good; and it's a fantasy lie. What is that except porn?
This made me think of another movie popular with Christians, Chariots of Fire. But Chariots of Fire is not just a feel-good movie about someone who "stood up for what he believed in." The story of Harold Abrahams is almost totally ignored. What gets overlooked is that Abrahams and Eric Liddel are in the same struggle. Abrahams, as a Jew albeit nominally so, did not have any problem running on Sunday because Saturday was his sabbath. (It took me years to figure this out!) We see that he is discontent, and we blame him for it. But his discontent lies in that, as a Jew, he is treated with prejudice within the "halls and corridors" of a Christian society. It is that same Christian society that gives Liddel a hard time for wanting to bow out of a race on Sunday. The cracks in the society are already apparent. That is the paradox, and I believe it largely goes unnoticed because Liddel is a cool guy who wanted to become a missionary and run for God's glory, and we really like the music as the guys run on the beach.
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